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ASU Paw Print

Crafting Poetry and Screenplays with a Unique Vision: An Interview with David Noller

Paw Print Editor: Brianna Robles

In a special interview, David Noller, an accomplished poet and screenwriter, shares his remarkable transition from academia to the creative realms of poetry and screenwriting. Leveraging his background in a PhD, Noller has skillfully combined his passions for writing poetry and screenwriting, providing distinctive perspectives on his creative approach and the obstacles he has encountered.

  David Noller’s transition from academia to creative writing was driven by a deep-seated passion for storytelling. Initially dabbling in screenwriting without serious commitment, Noller’s academic background in organizational education led him to work with a video production company, where his contributions to writing projects garnered recognition. This experience, coupled with his enthusiasm for the film industry, shaped his understanding of how diverse perspectives influence creative projects. His exploration of poetry, which began as a personal side project, eventually became a major focus, expanding his creative toolbox.

  When discussing his creative process, Noller highlights the surprising similarities between poetry and screenwriting. “Both are very formal disciplines that require tight structure and precision,” he explains. In screenwriting, adherence to a specific framework is crucial, much like the economy required in poetry. Noller emphasizes that enjoying one form often translates to appreciating the other, as both rely on structured expression and intentionality.

  Noller’s workshop, “Read a Poem Like Music,” delves into the synergy between poetry and musicality. He articulates the duality inherent in poetry: the integration of sound and meaning. “Poetry cannot be fully appreciated without considering both aspects,” Noller asserts. This fusion creates a depth that is integral to the poetic experience, highlighting the necessity of balancing sound and sense. In his teaching approach, Noller advocates for an understanding of poetry’s rhythm and flow, akin to music. He acknowledges that while readers may bring personal interpretations to a poem, it is essential to appreciate the inherent musicality. “Different readers will lean one way or the other,” he notes. Embracing this tension between music and meaning is key to a respectful and insightful reading of poetry.

  Noller’s affinity for adaptations, particularly literary ones, stands out in his career. He finds fulfillment in understanding and reshaping original works, a process that involves careful listening and interpretation. “I’m drawn to adaptations because they allow me to honor the original voice while transforming it for a new medium,” he explains. This approach extends to his work with historical writing, which often parallels the adaptation process. One of the most significant challenges Noller faced was the decision to commit to writing professionally. “Choosing to write professionally was like setting out on an uncharted path,” he reflects. Despite the continuous financial uncertainties of a creative career, Noller’s dedication to his craft remains steadfast.

  Noller’s favorite project is his screenplay about Tecumseh, the Shawnee chief who sought to unite Native American tribes. “Tecumseh’s story resonates deeply with me,” he says. Although the screenplay has not yet been produced, it sparked Noller’s passion for screenwriting and continues to be a project he feels profoundly connected to. For aspiring writers, Noller offers practical advice rooted in his own experiences. He emphasizes the importance of balancing freedom and form, suggesting that both poetry and screenwriting benefit from this interplay. “I often start with a loose structure, then find that the work itself calls for a certain organization,” he explains. This discovery process, he believes, can enhance any piece of writing.

  Though Noller has not yet adapted one of his poems into a screenplay, he remains open to exploring this possibility in the future. His background in poetry, combined with his screenwriting experience, positions him well for such a project. “While I haven’t done it yet, it’s something I’d like to explore,” he says.

  David Noller’s journey through the worlds of poetry and screenwriting highlights the interconnected nature of these creative disciplines. His insights offer valuable lessons for both seasoned writers and those just beginning their creative careers.

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